STEROPHONIC LONDON
STEREOPHONIC LONDON
(Cut-up performance poem by Trev Teasdel - Teesside 2006)
A trance version of this poems was produced by Coventry drummer / producer Jim Pryal and can be heard on Culture Fusion My Space with some other collaborations with me Link to Culture Fusion My Space
There is another also another downloadable version on Lulu by Jim Pryal (Culture Fusion)
http://www.lulu.com/content/multimedia/stereophonic-london/5237255
It also appears in Trev's book Nightfall in Sorrento
STEREOPHONIC LONDON
Sleazy inner city sounds
Skateboarding compounds with stereo surrounds
Swishbar
stances - gravitating
gangsters
Sidewinder glances.
.
Razorlight floodgates
Redlight night flights
Tempting the Thames to take off its shawl
For the urban sprawl.
Budvar rattlesnakes
A screech of brakes in the circle of spheres
Where the past appears
In the passion plays of parliament
Where the harlots are bent to pay the rent
Their rosebud lips, their tight-rope slips
Their clips and bits
inspire
the phallacies of policies
but money never grows on trees.
Cos The world’s in a mess
The truth’s been undressed
Has a lie to confess
But were walking the dog back to happiness.
It’s an absurd world where the third world
Have no food in the larder
It gets harder and harder
While the groove armada
Play the music harder
Keep it solid but the world is squalid
They sell the world with sex
Free air time and texts
So politically correct
Paranoid and indirect
Their bad decisions
tunnel visions - revisions and isms
Did they
plan it to be off the planet?
But we’re walking the dog back to happiness
There’s a lie to confess, the truth to undress
This world’s in a mess, uptight with the stress.
Cheapdate bed-ins & Hotsnake weddings
Women seeking women in the cocktail inns
We are sat by the fire in the house of desire
Ignoring the Karma and the claims of Nirvana
Wide-eyed promoters sat on a lotus
Under the spell of San Miguel
The filament looters on fly-by scooters
Seek the meaning of life in their gel
Reality bites
On midwinter nights
Chill out
And go with the flow.
Cause we have to confess, the worlds in a mess
We’re walking the dog back to happiness
There’s a lie to digest and all the rest
We’re walking the dog back to happiness.
......................
It's looking for evocative juxtapositions with the cut ups, playing with words, re-cutting phrases and also looking for a theme, idea to bring them together, give some kind of meaning - linear or surreal or both. Sometimes the poems takes off on its own and the cuts outs are only drawn on for inputs. There was various reworkings with this one - it also had to be something I could read out loud / perform effectivly without tripping over my alliteration on stage, especially after a bevy or two.